By Michael Keane
This booklet examines China’s artistic economy―and how tv, animation, ads, layout, publishing and electronic video games are reshaping conventional knowing of tradition. because the Fifties China has endeavoured to catch-up with complex Western economies. ‘Made in China’ is one method of worldwide competitiveness. yet a spotlight on production and productiveness is impeding innovation. China imports creativity and concerns approximately its ‘cultural exports deficit’. within the cultural region chinese language audiences are interested in Korean, Taiwanese, and eastern tradition, in addition to Hollywood cinema. This booklet offers a clean glance seems to be at China’s stream up the worldwide price chain. It argues that whereas govt and (most) electorate would like to go together with the nationalistic, yet unrealized ‘created in China’ model, frequent structural reforms are essential to unlock artistic strength. Innovation coverage in China has lately said those difficulties. It considers how new methods of handling cultural resources can renovate principally non-competitive chinese language cultural industries. including a historical past of cultural trade in China, the e-book info advancements in new artistic industries and gives the foreign context for inventive cluster coverage in Beijing and Shanghai.
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Extra info for Created in China: The Great New Leap Forward (Routledge Media, Culture and Social Change in Asia)
This ability to easily move occupations and residence, however, does not apply to many parts of Asia. While the focus on occupations is important and has the advantage of empirical clarity over sometimes haphazard attempts to calculate the value (and value added) of sectors, a key determinant of innovation remains change in the global economy. For instance, the economic transformations that 28 Culture and civilisation have shaken Hong Kong in the past decade have to a large extent been caused by Hong Kong’s positioning relative to China and the international economy.
Can we be sure that temporally remote events are really having a significant or dominant impact on the present? Academics, politicians and journalists use the term ‘with Chinese characteristics’ as shorthand explanation to describe all manner of Chinese exceptionalism and variations of international behaviour. But such clichés invariably obscure rather than illuminate. With people in China now more Western in their outlook – or at least their knowledge of the Western world than at any time in the past – there is an inherent danger in reducing rationales for behaviour to either trait geographies or local responses to globalisation.
Books about China’s emergence appear regularly and often disappear just as quickly. Prominently displayed in the front shelves of Beijing’s Xidan Book market, they offer a variety of colourful and often nationalistic development scenarios to nourish local prejudices. Despite people’s standard of living remaining low by international comparison, the idea of catch-up to the West is celebrated in important national events, such as the return to earth in October 2003 of Colonel Yang Liwei, China’s first man in space.