By Phillip Crandall
It is time to celebration, the 1st song off of i am getting rainy, opens with a rapid-fire guitar line - not anything fancy, only a couple crunchy strength chords to acclimate the ears - repeated two times sooner than a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling impression intensifies with every one bass kick and, via the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to receive. while all of it drops, and the joyous onslaught of 100 guitars is ultimately learned, you will have to forgive your ears for being duped right into a fake experience of safeguard, simply because it really is tha. Read more...
summary: it is time to get together, the 1st tune off of i am getting rainy, opens with a rapid-fire guitar line - not anything fancy, only a couple crunchy energy chords to acclimate the ears - repeated two times ahead of a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling impression intensifies with each one bass kick and, via the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to obtain. while all of it drops, and the joyous onslaught of 100 guitars is ultimately learned, you will have to forgive your ears for being duped right into a fake experience of safeguard, simply because it truly is tha
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Extra info for Andrew W.K.'s I get wet
Hazlett says they’d plan out a few licks, but the different influences each member brought to the table resulted in constant direction-shifts. ” Sometimes, when Goldman wasn’t there, the others would go hillbilly and become The Rusty Bucket Group, a super-distorted bluegrass group. ” “Andrew, more than anybody, really reveled in that kind of thing,” Goldman says. *** The Portly Boys was Andrew and a group of overweight inner-city youths who sang fun chants to demonstrate their take-no-shit bond.
Andrew has said this tape is his first releasedfor-public-consumption effort. To trace every tape (commercial or otherwise) and name-drop each of Andrew’s bands since isn’t so much daunting as it is impossible. Bands in Ann Arbor could be as short-lived as they were incestuous, configured quickly for kicks or conjured hypothetically, also for kicks. “Everybody was doing things with their friends at all times,” Thomas says. “Highly collaborative. ” It’s a recipe for documentarian disaster, and an errand this fool believes takes away from the spirit fueling the effort.
35 • I GET WET “This was a game I used to do as a kid,” says Dilloway, describing a scene from a movie he and Andrew co-wrote where the main character darts down a hill, prompting a congregation of cows to give chase. “It was such a magical thing that it happened while we were filming. ” Poltergeist stars Andrew, the farm owned by Dilloway’s grandparents, and—yes, for a brief moment—a horse that thinks it’s a dashing cow. Andrew also created the soundtrack, a portion of which is his entry on the Labyrinths & Jokes compilation.